Acknowledgments

This book took four times longer to write than I thought it would, and for much of that time felt rather like a grand piano suspended above my head wherever I went. Without help from many people, I would not have been able to complete it while staying sane.

Andy Oram, my editor at O'Reilly, was a writer's dream. Aside from knowing the field intimately (he suggested many of the topics), he has the rare gift of knowing what one meant to say and helping one find the right way to say it. It has been an honor to work with him. Thanks also to Chuck Toporek for steering this proposal to Andy right away.

Brian Fitzpatrick reviewed almost all of the material as I wrote it, which not only made the book better, but kept me writing when I wanted to be anywhere in the world but in front of the computer. Ben Collins-Sussman and Mike Pilato also checked up on progress, and were always happy to discuss—sometimes at length—whatever topic I was trying to cover that week. They also noticed when I slowed down, and gently nagged when necessary. Thanks, guys.

Biella Coleman was writing her dissertation at the same time I was writing this book. She knows what it means to sit down and write every day, and provided an inspiring example as well as a sympathetic ear. She also has a fascinating anthropologist's-eye view of the free software movement, giving both ideas and references that I was able use in the book. Alex Golub—another anthropologist with one foot in the free software world, and also finishing his dissertation at the same time—was exceptionally supportive early on, which helped a great deal.

Micah Anderson somehow never seemed too oppressed by his own writing gig, which was inspiring in a sick, envy-generating sort of way, but he was ever ready with friendship, conversation, and (on at least one occasion) technical support. Thanks, Micah!

Jon Trowbridge and Sander Striker gave both encouragement and concrete help—their broad experience in free software provided material I couldn't have gotten any other way.

Thanks to Greg Stein not only for friendship and well-timed encouragement, but for showing the Subversion project how important regular code review is in building a programming community. Thanks also to Brian Behlendorf, who tactfully drummed into our heads the importance of having discussions publicly; I hope that principle is reflected throughout this book.

Thanks to Benjamin "Mako" Hill and Seth Schoen, for various conversations about free software and its politics; to Zack Urlocker and Louis Suarez-Potts for taking time out of their busy schedules to be interviewed; to Shane on the Slashcode list for allowing his post to be quoted; and to Haggen So for his enormously helpful comparison of canned hosting sites.

Thanks to Alla Dekhtyar, Polina, and Sonya for their unflagging and patient encouragement. I'm very glad that I will no longer have to end (or rather, try unsuccessfully to end) our evenings early to go home and work on "The Book."

Thanks to Jack Repenning for friendship, conversation, and a stubborn refusal to ever accept an easy wrong analysis when a harder right one is available. I hope that some of his long experience with both software development and the software industry rubbed off on this book.

CollabNet was exceptionally generous in allowing me a flexible schedule to write, and didn't complain when it went on far longer than originally planned. I don't know all the intricacies of how management arrives at such decisions, but I suspect Sandhya Klute, and later Mahesh Murthy, had something to do with it—my thanks to them both.

The entire Subversion development team has been an inspiration for the past five years, and much of what is in this book I learned from working with them. I won't thank them all by name here, because there are too many, but I implore any reader who runs into a Subversion committer to immediately buy that committer the drink of his choice—I certainly plan to.

Many times I ranted to Rachel Scollon about the state of the book; she was always willing to listen, and somehow managed to make the problems seem smaller than before we talked. That helped a lot—thanks.

Thanks (again) to Noel Taylor, who must surely have wondered why I wanted to write another book given how much I complained the last time, but whose friendship and leadership of Golosá helped keep music and good fellowship in my life even in the busiest times. Thanks also to Matthew Dean and Dorothea Samtleben, friends and long-suffering musical partners, who were very understanding as my excuses for not practicing piled up. Megan Jennings was constantly supportive, and genuinely interested in the topic even though it was unfamiliar to her—a great tonic for an insecure writer. Thanks, pal!

I had four knowledgeable and diligent reviewers for this book: Yoav Shapira, Andrew Stellman, Davanum Srinivas, and Ben Hyde. If I had been able to incorporate all of their excellent suggestions, this would be a better book. As it was, time constraints forced me to pick and choose, but the improvements were still significant. Any errors that remain are entirely my own.

My parents, Frances and Henry, were wonderfully supportive as always, and as this book is less technical than the previous one, I hope they'll find it somewhat more readable.

Finally, I would like to thank the dedicatees, Karen Underhill and Jim Blandy. Karen's friendship and understanding have meant everything to me, not only during the writing of this book but for the last seven years. I simply would not have finished without her help. Likewise for Jim, a true friend and a hacker's hacker, who first taught me about free software, much as a bird might teach an airplane about flying.